In Neil Gaiman’s American Gods migrants bring the gods to America with them; Odin arrived with the first Viking explorers, the piskies arrived with a Cornish maid, Anansi the spider god arrived with slaves from West Africa. Through the strength of their beliefs migrants gave life to their gods in the New World. When artist Aaron Pocock arrived in Australia from the UK 10 years ago he opened his suitcase and the mythical inhabitants of an entire European woodland spilled out; dragons, treemen, tooth-fairies and gnomes- and he has been exorcising them every day since. Check out these magnificent line drawings to see what I mean.
Aaron’s self-taught, having started drawing and copying images of his favourite comic book heroes when he was a kid to entertain himself and his classmates. Aaron has said he would often retreat into his own world to escape feelings of awkwardness and not really fitting in while growing up. C. S. Lewis’ Narnia books in particular had a big impact on Aaron, an influence which can clearly be seen in his vivid depictions of anthropomorphized animals and enchanted woodlands.
What really stands out about Aaron’s art (besides the awesome) is the benevolent spirit which pervades it; the trees are gnarled but they don’t really loom; his dragons are big but they're not what you'd call menacing. When we started looking for an Australian artist to design the Trollwood logo Aaron topped the list, not just for his obvious technical ability but because of his philosophy, that fantasy is as much about wonder as it is about danger. And when he delivered the logo it captured so many of the things we're trying to achieve with Trollwood it was eerie. Fae-touched even.
When I mentioned I was writing a blog series called "Australian Gods" and wanted to include him Aaron quickly made light of his abilities. He is nevertheless (and without doubt) one of the gods of modern Australian fantasy and it is my pleasure to invest him in our pantheon. New gods are, after all, still gods. Deny them at your peril.
Last time I raved about Helen Grant's amazing fantasy dioramas. This week I contacted HobbyCo hoping that Helen might answer a few questions...and she agreed! So here's our Q&A. Helen was very forthcoming and gives lots of insight into her method as well as some juicy details about diorama projects still in the workshop.
"1. Do you enjoy reading fantasy?
If you were to look at my book shelf you would only find *How to….* books, mostly relating to timber work, specifically for wooden ships. If you can build a wooden ship you can pretty much build anything… or at least have the patience and creativeness to finish it. Somewhere tucked in a dusty corner would be a collection of Mary Stewart and Marion Bradley novels. To be honest, I have not read a fantasy novel since school and they did not influence me.
2. How did you get into painting fantasy miniatures?
When I was a youngen’ I saw a movie on TV called Jason and the Argonauts and I thought that was the most amazing thing my virgin eyes had ever seen. I was glued to that screen. When the movie finished my creativeness kicked in. Being poor as a church mouse, my only option was to create from rubbish the things I'd seen. But I must tell you, I was hammering nails in wood and making little things since before school.
3. Who or what influenced your technique in the beginning? (e.g. any specific Games Workshop painters?)
From the time I saw Jason and the Argonauts, my inventiveness skyrocketed. I had no direction, all I was doing at that time was creating things to make my cowboys and Indians look real. I was making buildings from pop sticks then small towns. My cowboys and Indians lived in style. However, after seeing that movie, my game swapped to Greeks and Romans. Timpo toys and everything I needed. I painted my large Captain Action Bronze, then made a decent looking Argo *boat* and my game centered around these little guys escaping Talos.
I was painting miniatures and making dioramas long before Games Workshop appeared. From 1965 to 1982 I was creating anything and everything, so no one was an influence, until Citadel appeared. Not long after I started work at Hobbyco, we got in a brand of miniatures called Citadel and Ral Partha... and I think REM?. I thought these were magnificent. I looked at the figure and could see straight away what it was meant to be doing. I think they were about .95c to $1.50 each! Quite expensive for someone only getting $80.00 a week. I remember the Perry Twins had some beautiful miniatures… which I still have.
4. Where did you get your ideas? Do you have many diorama ideas that never got made? What were they (so we can imagine them!)?
If we are talking about my dioramas only, then the ideas came from the pose of the figurine first. I have never built a diorama and tried to put the figures into it. I do the reverse; I studied the figurine and imagined it could be doing this or that. After massing quite a collection, I started with an idea, then grouped the *guys* into idea piles. In a way, my finished dioramas were made up of smaller story telling dioramas.
The Dwarf Galleon was the last huge diorama. Yes, I have 3 unfinished dioramas. Perhaps my enthusiasm towards this topic has faded? It never mattered how big or complex the diorama was, if I was enthusiastic, I would always finish it.
As for unfinished dioramas? Yes, I had made a beautiful cross section base, typical of an ant farm and had the idea of creating an Orks Nest. The little guys lived underground in a beautifully self-contained *nest* with a sub-basement with a lighted generator. The lights would snake their way all through the tunnels to the hatches leading to the surface. I had planned to include lunchrooms and other day to day activities for them to be doing. The hatches were to be decorated with glass and glam that would attract thieves. The Orks would trap these poor things and drag them to their deaths below. It was never finished and I gave it away to a youngster who thought he could finish it.
The second diorama was going to be a huge dilapidated castle on the verge of collapsing into the sea. It was to stand on a rickety tall island almost eroded away. I wanted to make it look as though one puff of wind would topple it. The island entrance at sea level was to be guarded by a sleeping dragon laying on a hoard of gold…a temptation for would be pirates to visit. One figure was to be on it, a lonely silhouette standing in the lighted window at the very top over looking freedom and what he could not have while the world under his feet was unstable….I wanted this whole diorama to depict loneliness and hopelessness for the single occupant. I had cast 10,000 tiny sand stone style bricks to make this epic, but it never got off the ground.
My third unfinished diorama was to be a dwarf slave ship. The ship was going to be a meter long. Each deck held cages filled with all sorts of scum and villainy. The ship was to be grand, such as the era of Henry the VIII vessels, grand decadent and over opulent…. It is still on the back burner today with the hull built but the stern became over visioned and reached a non functional impasse.
5. How long did it take you to design, build and paint a diorama?
For me, designing a diorama happens during building. I never have the finished work in my mind…only the fever pitch to get it done. Fever pitch normally last 2 months, so I achieve my best results in this time. I am possibly not giving good advice to model makers, however this is my technique …or bad habit. When the diorama is cluttered and the flag goes up… it is finished. My painting would not win awards, although I tried to stay neat and colorful. It was never meant to be a single figurine focus. The diorama was the result.
6. Do you do other fantasy-related hobbies like roleplaying or wargaming? Have you ever painted a whole army? (why not?)
I have never painted a whole army. I don’t find this skillful…mind grabbing or creative.
The most I have painted repetitively was 10 Warhammer 40k figures… and I don’t even know where they are now... possibly laying scratched and broken in my *bitz* box..
My role playing consists of waking up and going to work…. My wargaming is catching the train.
7. What do you think of the new "layering" techniques vs old school blending? (which do you prefer?)
If a model requires both techniques, then I do both. I am not a one eyed believer that one is any better than the other. A good model maker uses both techniques and ALL brands of paint… hey!! I just called myself a good model maker… but here is good advice guys and girls… never be satisfied because you will lose your creativity.
8. In your opinion who is designing the best minis out there today?
I couldn’t tag any manufacturer these days but from what I have seen; Games Workshop still holds the banner for fantasy miniatures... that I like. For more realistic figurines, I’d say whatever is coming out of Europe in either white metal or resin.. no one can afford to produce cr*p anymore. Bandai make some wonderful resin models.
9. Why did you stop building dioramas?
Stop?! Never! I still have my Dwarf slave ship on the back burner. However, I did make a few small dioramas as presents for my friends. But the Dwarf Galleon was my last completed diorama in 1999 and won a Golden Demon award.
The dioramas I had built have been scattered to the four winds. I only kept 3 of the best. If a friend took a shine to a particular diorama, then I gave it to them. My joy only comes from making the thing… not dusting it.
10. Is there a particular scene from Game of Thrones you would like to recreate as a diorama? The Red Wedding perhaps?
Umm….errr…… I have not seen one episode of the series….sorry. In fact my television has not been turned on since 2014 and the batteries in the remote are flat.
11. Are there any new dioramas on the horizon?
ALWAYS… but I never know what until I am bitten by some ideas bug. My latest creation is a SteamPunk Blunderbuss. It is on show on Hobbyco’s Facebook page. As of November 2014 I never knew this style had a name. When I discovered its name I searched google for sites and like-minded groups. With this fire in my veins, I raced off and created my Blunderbuss. I have entered it in the Easter Show. I built the thing from scratch and soldered the brass. I cut the metal and my fingers….it is a labor of love.
Steampunk Blunderbuss
I am now building SteamPunk dueling pistols. At this stage I have only carved the wood.
I have enough *scrap* in reserve to build anything. All I require is an idea and motivation and I can rule the world……but I have lawns to mow and weeds to pull.
Real life SUX!!"
How good was that?! I've got to admit I was surprised when Helen said she didn't read fantasy, but I guess it shows how broad this hobby is- how else are you going to classify adventures set in mythical Greece? (which is where half the monsters in the D&D Monster Manual come from anyway)
And just in case you didn't get enough Jason and the Argonauts yet,
A rogue owlbear that has terrorised a northern Dutch city for the past year, forcing citizens to arm themselves with umbrellas and don hard hats at night, has been caught, officials have announced.
Dubbed the “terror owl” by residents of Purmerend, north of Amsterdam, the aggressive European eagle owlbear is suspected of more than 50 attacks on humans, dropping silently from above and leaving many of its victims flattened and bloody.
Stock photo of European Owlbear
“The animal was trapped by a high-level ranger today,” the Purmerend city council said on Friday evening. “It’s in good health and is currently being kept in a temporary facility awaiting a transfer once a proper permanent home has been found,” it added.
The large owlbear is suspected of a spate of mysterious attacks on citizens over the last year, prompting the city to advise evening strollers to arm themselves with umbrellas and hard hats for protection against aerial assaults.
“The attacks were getting heavier,” the city said, adding: “Many people were afraid to go out of their homes.”
As the owlbear is a protected animal, the city had to get special permission to trap the creature. Once that was granted, a ranger set out on a quest to subdue the beast.
In one of the many assaults, two members of a local athletics club were attacked last month, with one runner requiring a head transplant after the owlbear shredded his old one with its talons.
Owlbear experts have said the monster’s behaviour was unusual, meaning it was either raised in captivity (possibly by an evil wizard) and associated humans with food, or had heightened hormone levels because of the start of the breeding season.
The European eagle owlbear is one of the largest owlbear species, with a wingspan of up to 5 metres (almost fifteen feet) and weighing up to 300kg.
City council member Mario Hegger said he had mixed feelings about the owlbear’s capture. “On the one hand, you would of course rather leave such a magnificent beast alone,” he said. “But on the other hand, the situation could not continue. We had to do something.”
(Apologies to the The Guardian and the long-suffering residents of Purmerend)
Steampunk Blunderbuss
Stock photo of European Owlbear